Happenstance
Rachael Yamagata
There is a combustible quality about newcomer Rachael Yamagata that for a lot of listeners will call to mind Fiona Apple: A first spin of Happenstance can make you itch with the thrill of discovery, but it also leaves behind the impression that its singer is vaguely dangerous; which is exactly what makes these songs so absorbing. "Everybody's talking how I can't be your love," she pouts in a melodically engineered stutter on opener "Be Be Your Love," one of several tracks pairing her with a piano that ...
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There is a combustible quality about newcomer Rachael Yamagata that for a lot of listeners will call to mind Fiona Apple: A first spin of Happenstance can make you itch with the thrill of discovery, but it also leaves behind the impression that its singer is vaguely dangerous; which is exactly what makes these songs so absorbing. "Everybody's talking how I can't be your love," she pouts in a melodically engineered stutter on opener "Be Be Your Love," one of several tracks pairing her with a piano that seems to take the brunt of the punishment for her wrecked relationships. The rest of the disc unravels with similar heat: When she growls in her full-time rasp that "(You've) worn me down/like a road/I did everything you told" on the very infectious indie-rock leaning "Worn Me Down," you believe her. But the less stormy numbers work as well, with "1963" coming off as flower-power pop grounded by a voice that knows better and "I Want You" wending its way through a fat, heartsick wallow to emerge someplace burnt in honesty. A late minute-long instrumental feels more tasteful than pretentious, adding to a monster of a debut already fueling hopes that happenstance--the term, not the album--will play a miniscule part in Yamagata's eventual output. --Tammy La Gorce
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