The Dutchess
Fergie
If you thought Black Eyed Pea-sized bites of Fergie might be all you could handle--that a full plate of Fergie is possibly too much for any discerning musical palate--The Dutchess might change your mind. For here the lumpen lady throws caution to the wind and threads her pop needle with an ambitious ribbon of yet-to-be-conquered genres: reggae and ska on "Mary Jane Shoes," with Rita Marley; vintage soul on "Here I Come"; '80s hip-hop on "Fergalicious"; and sophisticated R&B on the John Legend-assisted "F ...
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If you thought Black Eyed Pea-sized bites of Fergie might be all you could handle--that a full plate of Fergie is possibly too much for any discerning musical palate--The Dutchess might change your mind. For here the lumpen lady throws caution to the wind and threads her pop needle with an ambitious ribbon of yet-to-be-conquered genres: reggae and ska on "Mary Jane Shoes," with Rita Marley; vintage soul on "Here I Come"; '80s hip-hop on "Fergalicious"; and sophisticated R&B on the John Legend-assisted "Finally." It's a tremendous and unpredictable expenditure of effort that mostly pays off--echoes of more talented vocalists like Pink, Beyoncé, and Christina Aguilera poke through in places. But while unbridled messing about can pay handsome artistic dividends (here, the guitar-propelled rock-like track "Big Girls Don't Cry" coughs them up), ultimately it's when Fergie's at her Peas-iest that she's most lovable; cases in point are the raunchily irresistible "London Bridge," which earned every week of its chart-topping success, and the will.i.am-assisted "Clumsy," a girl-group-styled bump-a-thon that showcases Fergie's coolest and most distinctive asset--her personality--to winning effect. --Tammy La Gorce
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